IT company office

title:
Lundegaard office interior
location:
Brno

project and realisation:
2017

architects:
David Kudla
Filip Malý

In many fields, work teams are primarily divided into two parts: engineers and designers, or rationalists and poets. We follow the same pattern in our work: civil engineers and architects. For our client in the IT industry it is no different: blue team and green team. However, together with our client, we are convinced that the perfect product can only be created by intertwining these two parts, finding the right balance and combining them into one. In order for this to happen, we need to create a meeting space - a coworking + garden = lundegaarden. The best space for us to use is the tried and tested rectangular plan shape, as any curvature in the space prevents us from using the room effectively and creates strange situations.

However, in this realisation we have verified that a certain degree of poetic or irrational shape can create a pleasant change, dynamics and also a surprisingly strong control over the surrounding space in a purely orthogonal space. This effect was enhanced by the use of a transparent fabric whose softness contrasts with other hard materials such as glass or concrete.

IT company office

title:
Lundegaard office interior
location:
Brno

project and realisation:
2017

architects:
David Kudla
Filip Malý

In many fields, work teams are primarily divided into two parts: engineers and designers, or rationalists and poets. We follow the same pattern in our work: civil engineers and architects. For our client in the IT industry it is no different: blue team and green team. However, together with our client, we are convinced that the perfect product can only be created by intertwining these two parts, finding the right balance and combining them into one. In order for this to happen, we need to create a meeting space - a coworking + garden = lundegaarden. The best space for us to use is the tried and tested rectangular plan shape, as any curvature in the space prevents us from using the room effectively and creates strange situations.

However, in this realisation we have verified that a certain degree of poetic or irrational shape can create a pleasant change, dynamics and also a surprisingly strong control over the surrounding space in a purely orthogonal space. This effect was enhanced by the use of a transparent fabric whose softness contrasts with other hard materials such as glass or concrete.

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